In 2018, Beaux Arts Magazine highlighted my work in an article discussing the exhibition at Villa Datris. The piece focused on my installation, Le Cœur du Figuier, emphasising its integration within the villa’s gardens and its connection to the history of open-air sculpture. The article noted how my use of woven and braided linen resonates with natural forms, drawing parallels to artists like Ossip Zadkine and Giuseppe Penone, and evoking themes of intimacy and femininity.
I’m honored by this recognition from Beaux Arts Magazine, which highlights the relevance of my work in contemporary textile sculpture and its dialogue with the natural world.
